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    <loc>https://www.simonepolicano.com/home</loc>
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      <image:title>Home</image:title>
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  <url>
    <loc>https://www.simonepolicano.com/contact</loc>
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    <lastmod>2026-01-14</lastmod>
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      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.simonepolicano.com/bio</loc>
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    <lastmod>2026-02-11</lastmod>
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      <image:title>Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1477372283140-17GL9MV9WF8QYLMG61T5/image-asset.jpeg</image:loc>
      <image:title>Bio</image:title>
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      <image:title>Bio</image:title>
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    <loc>https://www.simonepolicano.com/productionstills</loc>
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    <lastmod>2025-05-15</lastmod>
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      <image:title>Production Stills - AUGGIE</image:title>
      <image:caption>feature film || Samuel Goldwyn Films, dir. Matt Kane, dir. of photog. Natasha Mullan || pictured: Richard Kind, Susan Blackwell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1709263181691-BEA6BYIXMU7PO773G5Y7/BlueBloods14x3.jpg</image:loc>
      <image:title>Production Stills - BLUE BLOODS</image:title>
      <image:caption>CBS || dir. Ralph Hemecker</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - BLUE BLOODS</image:title>
      <image:caption>CBS || dir. Ralph Hemecker, pictured: Treat Williams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1618440534659-1QZ2DJXZX7XWWLW9FZ70/NEWAMSTERDAM.jpeg</image:loc>
      <image:title>Production Stills - NEW AMSTERDAM</image:title>
      <image:caption>NBC || dir. Darnell Martin, pictured: Freema Agyeman, Janet Montgomery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1552523825434-5GST6UZDA9GTNNJUQHAY/gagaaaa.png</image:loc>
      <image:title>Production Stills - AN AUTEUR IS BORN</image:title>
      <image:caption>Comedy Central || dir./dir. of photog. Jeff Ayars || 500K+ views</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - BLUE BLOODS</image:title>
      <image:caption>CBS || dir. Ralph Hemecker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1724388933429-I5QVPEEES5S7SMXNPQVL/Screenshot+2024-08-23+at+12.55.03%E2%80%AFPM.png</image:loc>
      <image:title>Production Stills - DISGRACED</image:title>
      <image:caption>Emily || Singapore Repertory Theater, dir. Daniel Jenkins || pictured: Ghafir Akbar "Simone Policano plays this role with nuance, constantly defending Islam and going against her own husband’s misgivings, with an earnestness to her performance you can’t help but root for."</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - MILLENNIAL HOARDERS</image:title>
      <image:caption>The New Yorker || dir./dir. of photog. Cannibal Milkshake Comedy || 30K+ views</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1685491476592-LCJIKZD5OV5VEINNT2ZJ/COTYSCRAPE.jpg</image:loc>
      <image:title>Production Stills - CITYSCRAPE</image:title>
      <image:caption>Kat || written by Sophie McIntosh (NYTimes Critics Pick), directed by Nina Goodheart || pictured: Mia Fowler “Simone Policano (Kat), in particular, was luminous. Capturing the intricacies of vulnerability and pain within a boisterous character can prove difficult, and Policano navigated the divide effortlessly. Kat felt beautifully fragile, painfully alive.” — The Theatre Times</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - VENUS IN FUR</image:title>
      <image:caption>Vanda || Yale Dramatic Association, dir. Zachary Elkind "The distance between Policano as herself and Policano as Vanda remains wonderfully slight. She handles the character shifts -- functionally, playing Vanda entails playing three roles (modern Vanda, 1870s Vanda and Aphrodite) -- with fluidity and grace." - Yale Daily News Ken Yanagisawa Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - THIS IS OUR HOME</image:title>
      <image:caption>feature film || dir. Omri Dorani, dir. of photog. Tom Taugher || pictured: Jeff Ayars</image:caption>
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    <image:image>
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      <image:title>Production Stills - CITYSCRAPE</image:title>
      <image:caption>Kat || written by Sophie McIntosh (NYTimes Critics Pick), directed by Nina Goodheart “Simone Policano (Kat), in particular, was luminous. Capturing the intricacies of vulnerability and pain within a boisterous character can prove difficult, and Policano navigated the divide effortlessly. Kat felt beautifully fragile, painfully alive.” — The Theatre Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1552606532461-WV65X7LP6THVFZTSXJ26/download.jpeg</image:loc>
      <image:title>Production Stills - THE PLAY THAT GOES WRONG</image:title>
      <image:caption>Sandra/Annie (u/s) || New World Stages, dir. Matt DiCarlo || pictured: Adam Daveline, Ryan Vincent Anderson, Brent Bateman, Matt Harrington, Bartley Booz, Chris Lanceley, Damien Brett, Maggie Weston, Bianca Horn, Ashley Reyes, Matt Walker</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - MIC/TRUTH ANTI-TOBACCO PSA</image:title>
      <image:caption>Mic + truth || Winner of the 2018 OMMA (Online Marketing Media and Advertising) Award || +950K views</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1724388826307-0N3JKGCU9OGX9EPZKJGS/Screenshot+2024-08-23+at+12.53.12%E2%80%AFPM.png</image:loc>
      <image:title>Production Stills - DISGRACED</image:title>
      <image:caption>Emily || Singapore Repertory Theater, dir. Daniel Jenkins || pictured: Ghafir Akbar "Simone Policano plays this role with nuance, constantly defending Islam and going against her own husband’s misgivings, with an earnestness to her performance you can’t help but root for."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1506901141285-MZSLKGL5B5GDVIBZDZJX/EI1.jpg</image:loc>
      <image:title>Production Stills - EXTRA INNINGS</image:title>
      <image:caption>independent feature film || dir. Albert Dabah / Brian Dillinger (pictured), Simba Productions</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - BEETLES GEL POLISH COMMERCIAL</image:title>
      <image:caption>dir. Dave Zhou</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - SATURDAY NIGHT SPECIAL</image:title>
      <image:caption>short film || dir. Mehdi Zollo || pictured: David Garelik</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - 21 DAYS</image:title>
      <image:caption>music video for Brian Fallon of The Gaslight Anthem || dir. Kelsey Ayres, dir. of photog. Matt Bastos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1724388959740-VIDO3OSS7HG7T2B0MHC5/Screenshot+2024-08-23+at+12.55.20%E2%80%AFPM.png</image:loc>
      <image:title>Production Stills - DISGRACED</image:title>
      <image:caption>Emily || Singapore Repertory Theater, dir. Daniel Jenkins || pictured: Jeremy Rishe "Simone Policano plays this role with nuance, constantly defending Islam and going against her own husband’s misgivings, with an earnestness to her performance you can’t help but root for."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1618338491562-FDRT0OQYR10EWOH6OOF1/Simone+Policano+Blue+Bloods.png</image:loc>
      <image:title>Production Stills - BLUE BLOODS</image:title>
      <image:caption>CBS || dir. David Barrett</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1686341343639-YPCSVFX22KGT1H2PQFZN/2A4A6842_edited-25.jpg</image:loc>
      <image:title>Production Stills - CITYSCRAPE</image:title>
      <image:caption>Kat || written by Sophie McIntosh (NYTimes Critics Pick), directed by Nina Goodheart || pictured: Mia Fowler “Simone Policano (Kat), in particular, was luminous. Capturing the intricacies of vulnerability and pain within a boisterous character can prove difficult, and Policano navigated the divide effortlessly. Kat felt beautifully fragile, painfully alive.” — The Theatre Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1474091442661-1BJFHAS00Z22IJ9K40XN/%21+Venus+in+Fur+-+Ari+Gun.jpg</image:loc>
      <image:title>Production Stills - VENUS IN FUR</image:title>
      <image:caption>Vanda || Yale Dramatic Association, dir. Zachary Elkind || pictured: Ari Zimmet "The distance between Policano as herself and Policano as Vanda remains wonderfully slight. She handles the character shifts -- functionally, playing Vanda entails playing three roles (modern Vanda, 1870s Vanda and Aphrodite) -- with fluidity and grace." - Yale Daily News Ken Yanagisawa Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1496169905200-CBAGADGPX19MODPJNYQQ/GTYF-BTS-SLR-02563.jpg</image:loc>
      <image:title>Production Stills - GO TELL YOUR FATHERS</image:title>
      <image:caption>short film || dir. Amy Rosenblum, Chloe Sarbib; dir. of photog. Daisy Zhou</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - STOKKE COMMERCIAL</image:title>
      <image:caption>dir. Eric Johnson</image:caption>
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    <image:image>
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      <image:title>Production Stills - LOVE AROUND THE BLOCK</image:title>
      <image:caption>Hermès immersive production || writ. Dave Malloy, dir. Jason Eagan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1552523936163-7LHDGPJJ33942ACZMNKS/Screen+Shot+2019-03-13+at+8.38.26+PM.png</image:loc>
      <image:title>Production Stills - A DAD IS BORN</image:title>
      <image:caption>The Dad || dir. Rob King || pictured: Jeff Ayars || 343K+ views</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - CITYSCRAPE</image:title>
      <image:caption>Kat || written by Sophie McIntosh (NYTimes Critics Pick), directed by Nina Goodheart || pictured: Mia Fowler “Simone Policano (Kat), in particular, was luminous. Capturing the intricacies of vulnerability and pain within a boisterous character can prove difficult, and Policano navigated the divide effortlessly. Kat felt beautifully fragile, painfully alive.” — The Theatre Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1474091439727-ZR4YU5TYHOF7R7GJHYJZ/%21+Venus+in+Fur+-+Couch.jpg</image:loc>
      <image:title>Production Stills - VENUS IN FUR</image:title>
      <image:caption>Vanda || Yale University, dir. Zachary Elkind "The distance between Policano as herself and Policano as Vanda remains wonderfully slight. She handles the character shifts -- functionally, playing Vanda entails playing three roles (modern Vanda, 1870s Vanda and Aphrodite) -- with fluidity and grace." - Yale Daily News Ken Yanagisawa Photography</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - EXTRA INNINGS</image:title>
      <image:caption>feature film || dir. Albert Dabah / Brian Dillinger, dir. of photog. Luigi Benvisto (pictured)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57dbf8de8419c224b3c202ab/1540757064892-1LSXT7X2N93SNDBKNOEH/Screen+Shot+2018-10-28+at+4.00.18+PM.png</image:loc>
      <image:title>Production Stills - EMPIRE CITY CASINO COMMERCIAL</image:title>
      <image:caption>Spot shown during the U.S. Open and on CNN, ESPN, CBS New York, ABC7 Eyewitness News, among others || pictured: Jeff Ayars</image:caption>
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    <image:image>
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      <image:title>Production Stills - 21 DAYS</image:title>
      <image:caption>music video for Brian Fallon of The Gaslight Anthem || dir. Kelsey Ayres, dir. of photog. Matt Bastos</image:caption>
    </image:image>
    <image:image>
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      <image:title>Production Stills - CITYSCRAPE</image:title>
      <image:caption>Kat (lead) || written by Sophie McIntosh (NYTimes Critics Pick), directed by Nina Goodheart || pictured: Mia Fowler “Simone Policano (Kat), in particular, was luminous. Capturing the intricacies of vulnerability and pain within a boisterous character can prove difficult, and Policano navigated the divide effortlessly. Kat felt beautifully fragile, painfully alive.” — The Theatre Times</image:caption>
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    <lastmod>2025-05-15</lastmod>
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      <image:title>Headshots</image:title>
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      <image:title>Headshots</image:title>
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      <image:title>Headshots</image:title>
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      <image:title>Headshots</image:title>
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      <image:title>Headshots</image:title>
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    <lastmod>2023-10-30</lastmod>
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